At Paris you can see models wearing individuality and every designer seems to highlight in their interviews this thing – from choosing the models on the streets in a combination of anonymity and celebrities or models from the 80s and 90s to the present, to shapes and curves XXL at Jean Paul Gaultier to Lanvin who seems place the accent on the loosened shapes of your body and the woman taking her flight to Chanel that applies for fake feathers. This air of freedom is transposed in a variety of shapes, ideas, silhouettes and colors that make the collections really different but keep them in the area of the loosened line and really tidy, far away from explicit sexuality.
Nicolas Ghesquiere continues his emblematic vision in the future that was stared in the previous season placing the accent on individuality. The graphic line with the perfect sketched silhouette brings in modernity some element from the Balenciaga fashion house. The famous motif “pied du coq” defines the first pieces of clothing similarly to a puzzle, together with an androgynous spirit with references to the teddy boys (the British subculture of the 50s) and to punk, a well emphasized theme as well. There are some textures which are made so plastic, close to reptile; the shirts have wrong buttons on them. The technology of cutting with laser is associated to the manual details in a white and black chromatic with accents in blue electric and red.
Chanel gives the tone of modernity which places the accent on fine fabric. If in the precedent season the tone was placed on fake fur, now Karl Lagerfeld suggests artificial feathers which are accompanied by the tweeds that are made in a special manner, similar to high tech lace. Grey, black, white, floral prints and pastels seem to be placed in the classical models with an unfinished aspect. The trench is realized in A-line with ¾ sleeves and delicate skirts and really ruffled and worn with shorts as well. The lace evening gowns are adorned with feathers which length can be placed between really short and up to the ankle, similar to the grunge outfits from the 90s.
Christian Dior carries the fashion lovers into a world in which everything is extravagant and without having anything to care of. The prints in bright colors similar to orchids from Hawaii can be observed in fluid dresses, shorts and great looking, in most of the cases with ruffles and knitted details, worn with stolen masculine pieces – the leather jacket, the aviator jacket. The boudoir legerity from the last Dior collections can be encountered in the future spring season, this time with flowers and in which you can observe stars like Veronika Lake who wear necklaces made of Polynesian flowers. Purple, fuchsia, violet is worn with orange, yellow lime, green lime and turquoise with no trace of black.
Christian Dior carries the fashion lovers into a world in which everything is extravagant and without having anything to care of. The prints in bright colors similar to orchids from Hawaii can be observed in fluid dresses, shorts and great looking, in most of the cases with ruffles and knitted details, worn with stolen masculine pieces – the leather jacket, the aviator jacket. The boudoir legerity from the last Dior collections can be encountered in the future spring season, this time with flowers and in which you can observe stars like Veronika Lake who wear necklaces made of Polynesian flowers. Purple, fuchsia, violet is worn with orange, yellow lime, green lime and turquoise with no trace of black.
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